Would you listen to a musical based on a historical poem?
Would you listen to a musical that has a following of over 211 thousand people, on Instagram alone?
You should, and here’s why:
The character development and musicality will have you in a chokehold.
Jorge Riverra-Herrans, an online artist, has been writing a musical about Homer’s Odyssey since June of 2019. Since then, he has released “sagas” that go along the storyline. The next one is set to release on Oct. 31.
Overall, my favorite saga has been “The Underworld Saga,” and my favorite song has been “Scylla.” Although this is a niche topic, the music has been done so well, and listeners don’t need to know what the Odyssey is to understand what is going on.
“I actually just saw a few TikTok videos of one of the songs [and thought], ‘this is pretty good.’ So I started listening to that song. [Later] I realized there was more, and now it’s a problem,” Alexa Massey ‘25 said.
Act One consists of 20 songs spread out through five sagas, and Act Two will consist of 20 songs with five songs in each saga. Each had bits and pieces that intertwined with the rest, creating depth and layers making them powerful.
Here are my favorite songs:
- “Open Arms,” from The Troy Saga
This is my favorite song in “The Troy Saga.” I love how the relationship between Odysseus and Poletis makes them like brothers. This song has such a deeper meaning as the musical goes on, so listening to it after hearing all the sagas compared to listening to it at first is wildly different.

- “Remember Them”
This is my favorite song in “The Cyclops Saga,” entirely because of how Odysseus reacts to the situation around him.

(media by Ally Kelley)
- “Ruthlessness”
This is my favorite song in “The Ocean Saga.” I love how the use of the lyrics from “Just a Man,” create depth in Odysseus’ story. Riviera-Herrans does this for many of his songs, layering different parts throughout the musical.

(media by Ally Kelley)
- “Done For”
This is my favorite song in “The Circe Saga.” I love this song because this is when listeners realize that Circe never meant to be a villain, she only wants to keep her loved ones safe.

(media by Ally Kelley)
- “No Longer You”
This song is the perfect transition between “the Underworld” and “Monster,” which makes it my favorite song in “The Underworld Saga.” It shows the character development that Odysseus will be making in the next song.

(media by Ally Kelley)
- “Scylla”
This is my favorite song in not only “The Thunder Saga,” but in the entire musical so far. KJ Burkjauser depicts Scylla’s character beautifully. Her voice is strong, yet full of grace and beauty.

- “Love in Paradise”
This was the hardest to decide, because I loved all of the songs. This is my favorite song in “the Wisdom Saga,” because not only does it have a clip from every saga, which gave me goosebumps, but it introduced a hilarious, delusional god who is in love with Odysseus.


























![Alexander Oki ‘28 picks up trash in the lower parking lot Feb. 20. According to Keep America Beautiful, the majority of the trash found on both roads and waterways consists of fast food wrappers and packaging, receipts and plastic beverage bottles. Clubs like the National Honor Society (NHS) offer students the opportunity to earn service hours by cleaning up the trash in the parking lots. “[The trash] makes us look very unhygienic and unmotivated to be a proper school,” Emberlyse Vidal ‘28 said. “It makes us look like we just don't care about our students' environments.”](https://rockmediaonline.org/wp-content/uploads/2026/03/20260220_1355020-2-1200x904.jpg)








jameson • Mar 2, 2026 at 8:24 pm
This analysis is absolutely incredible and hits so close to home for me! I actually stumbled into the EPIC fandom sideways—I heard “Suffering” first, and the absolute devastation and haunting melody of that siren-Penelope charade hooked me instantly. I had to go back and listen to the entire journey from the beginning to understand how we got to that point, and it completely changed my perspective on Odysseus’s shift from “just a man” to the “monster” he becomes.
Seeing how this paper breaks down the specific motifs—especially how the lack of the viola in “Suffering” signals the illusion—makes me appreciate Jorge’s songwriting on a whole new level. It perfectly articulates the emotional whiplash of hearing him so desperate to get home, yet so broken by the choices he has to make. After reading this, I will go back and listen to Epic in a new light. and see if I can notice any new details like the ones mentioned in this article